播放记录

诸神之战1

7.0|02月08日|已完结
简介:

  In Greek mythology, ancient Greece's most powerful god wages an epic struggle against his father for control of the universe. It's the ultimate power struggle as the Olympians challenge the Titans in mythology's greatest showdown. This is a pivotal battle that experts believe may have been ancient code for a real world event--one of the greatest natural disasters the Earth ever experienced..

猜你喜欢
换一换
再见哥雅:卡叶尔与布纽尔的最后巡礼高清在线观看 - 雪花影视_冰雪奇幻影视雪花幻看免费看,冰雪奇幻片 + 韩剧番剧,美剧极地大片,4K 蓝光,冰雪奇幻影视解析
55
3.0
HD
再见哥雅:卡叶尔与布纽尔的最后巡礼

评分:3.0

更新时间:02月20日

主演:未知

简介:

在人生的最後一場旅程中,曾榮獲奧斯卡終身成就獎的知名劇作家尚克勞德卡葉爾(Jean-Claude Carrière)回到西班牙,向我們講述了他終其一生最愛慕的一代畫家-哥雅(Francisco de Goya)。                                                                        在旅途中,卡葉爾的私密回憶卻逐漸湧現,除了傳奇名導路易斯布紐爾(Luis Buñuel)與超現實主義的樣貌不時縈繞心頭,更有哥雅畫作中充滿希望的現代感:他的畫作中不僅擁有這種感受,並展現了戰爭、移民、殘疾(哥雅本身為聽障者)等主題,更有對「渺小人們」的憐惜,以及這個瘋狂世界的烙印。                                                                        如同作家馬勒侯(André Malraux)所描述,哥雅「既是最後一位古典畫家,也是第一位現代畫家」。這趟旅行的終點來到了哥雅的居所,卡葉爾也悠遊徜徉在他無數的畫作裡。                                                                        ➤ 榮獲ARCA藝術電影獎最佳影片大獎                                                                        ➤ 坎城影展「坎城經典」單元正式入選                                                                        ➤ 榮獲坎城影展金眼睛獎競賽片                                                                        ➤ 奧斯卡終身成就獎得主 尚克勞德卡葉爾 隆重演出

阅读量:2163

年份:2022

再见哥雅:卡叶尔与布纽尔的最后巡礼

主演:

情感的力量高清在线观看 - 雪花影视_冰雪奇幻影视雪花幻看免费看,冰雪奇幻片 + 韩剧番剧,美剧极地大片,4K 蓝光,冰雪奇幻影视解析
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

诸神之战1

扫一扫手机看
复制
首页
电影
连续剧
综艺
动漫
短剧
体育
资讯